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© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal
© Sarah Schorr, Ephemeral Field Journal

Ephemeral Field Journal



SNBA - Sociedade Nacional de Belas Artes

Rua Barata Salgueiro 36, 1250-044 Lisboa


05 . 11 . 2026 → 05 . 12 . 2026


monday - friday → 12:00 pm – 07:00 pm
saturday → 02:00 pm – 07:00 pm
Closed on Sundays and public holidays.

Artist

Sarah Schorr

Sarah Schorr is an artist-in-residence at the Center for the Study of Religion at Harvard Divinity School. A captivation with light, water, and modes of embodied contemplation runs through her work. She has exhibited her work internationally and been awarded fellowships from organizations such as The Terra Foundation for American Art, The Versailles Foundation, and The Danish Art Foundation. Her new book, Ephemeral Field Journal: Climate + Love in Claude Monet’s Garden (published by Kehrer Verlag, 2025) follows her experiments with photography and water during her residency at Claude Monet’s Garden in Giverny.

Ephemeral Field Journal: Sarah Schorr

Sarah Schorr’s Ephemeral Field Journal seeks a deeper understanding of how we care for the environment and for each other through an investigation of the effects of climate change on Monet’s garden. Over the last four years, Sarah Schorr conducted extensive work and research in Monet’s world – first as a Terra Foundation for American Art Fellow and then as the Munn Artist-in-Residence supported by Monet House and the Versailles Foundation. Monet constructed his water garden in order to view and experiment with the interplay of color and light in reflections. Through her experiences living and working in Giverny, France, Schorr understands and visualizes Monet’s spaces as a creative, living laboratory for “seeing.”



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